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    Sunday, August 7, 2011

    The Man From U.n.c.l.e. Cinemas Lumiere

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    Henry Cavill ("Man of Steel") stars as Napoleon Solo opposite Armie Hammer ("The Social Network") as Illya Kuryakin in director Guy Ritchie's "The Man from U.N.C.L.E.," a fresh take on the hugely popular 1960s television series. Set against the backdrop of the early 1960s, at the height of the Cold War, "The Man from U.N.C.L.E." centers on CIA agent Solo and KGB agent Kuryakin. Forced to put aside longstanding hostilities, the two team up on a joint mission to stop a mysterious international criminal organization, which is bent on destabilizing the fragile balance of power through the proliferation of nuclear weapons and technology. The duo's only lead is the daughter of a vanished German scientist, who is the key to infiltrating the criminal organization, and they must race against time to find him and prevent a worldwide catastrophe. "The Man from U.N.C.L.E" also stars Alicia Vikander ("Anna Karenina"), Elizabeth Debicki ("The Great Gatsby"), with Jared Harris ("Sherlock Holmes: Game of Shadows"), and Hugh Grant as Waverly. The screenplay was written by Guy Ritchie & Lionel Wigram, who previously collaborated on re-imagining the classic detective Sherlock Holmes in two hit films. The story is by Jeff Kleeman & David Campbell Wilson and Guy Ritchie & Lionel Wigram, based on the television series "The Man from U.N.C.L.E." John Davis ("Chronicle"), Steve Clark-Hall ("RocknRolla," the "Sherlock Holmes" films), Wigram and Ritchie produced the film, with David Dobkin serving as executive producer. Ritchie's behind-the-scenes creative team included two-time Oscar (R)-nominated director of photography John Mathieson ("The Phantom of the Opera," "Gladiator"), production designer Oliver Scholl ("Jumper," "Edge of Tomorrow"), editor James Herbert (the "Sherlock Holmes" films, "Edge of Tomorrow"), and Oscar (R)-nominated costume designer Joanna Johnston ("Lincoln"). The music is composed by Daniel Pemberton ("The Counselor").(c) Warner Bros

    About The Man From U.n.c.l.e.

    Artist : Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Luca Calvani
    As : Solo, Illya, Gaby, Victoria, Alexander
    Title : The Man From U.n.c.l.e. Cinemas Lumiere
    Release date : 2015-08-14
    Movie Code : 1638355
    Duration : 116
    Category : Action, Adventure, Comedy


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    Comment For The Man From U.n.c.l.e. En Entier

    Lindsey Bahr Comment The Man From UncleName : Lindsey Bahr / Alias : Associated Press
    Alas, the movie doesn't fulfil the tease of the opening sequence. From there it devolves into a series of revelations with diminishing returns.
    Chris Klimek Comment The Man From UncleName : Chris Klimek / Alias : NPR
    What substance it has could be dissolved in a shot glass. But so what?
    Peter Travers Comment The Man From UncleName : Peter Travers / Alias : Rolling Stone
    a moldy 1960s TV series that comes to the screen with no Mission: Impossible update or makeover. That's right - it's still moldy. But in a way that's escapist, retro fun.
    Michael Phillips Comment The Man From UncleName : Michael Phillips / Alias : Chicago Tribune
    Composer Daniel Pemberton's evocations of early '60s "danger" music respect the period, which is more than can be said for Ritchie's hatchet-style of staging and editing.
    Anthony Lane Comment The Man From UncleName : Anthony Lane / Alias : New Yorker
    As for Cavill, let us just say that the line between phlegmatic suavity and downright dullness is rather more easily breached than the Berlin Wall.
    Rafer Guzman Comment The Man From UncleName : Rafer Guzman / Alias : Newsday
    Not an update of the old TV show but a revival, with dazzling sets, period outfits and wonderfully implausible action. It's an Atomic Age blast.
    David Edelstein Comment The Man From UncleName : David Edelstein / Alias : New York Magazine/Vulture
    It's breezy and elegant - so breezily elegant it can make you laugh out loud from frame to frame.
    Michael O'Sullivan Comment The Man From UncleName : Michael O'Sullivan / Alias : Washington Post
    The threat that this mess of a movie might be followed by a sequel is enough to make anyone cry uncle.
    Stephen Whitty Comment The Man From UncleName : Stephen Whitty / Alias : Newark Star-Ledger
    Holding out for a fun summer film? Resist no longer. Just say "U.N.C.L.E."
    Jesse Hassenger Comment The Man From UncleName : Jesse Hassenger / Alias : AV Club
    The Man From U.N.C.L.E. feels fun even when it lacks a particular reason for existing.
    Nathalie Atkinson Comment The Man From UncleName : Nathalie Atkinson / Alias : Globe and Mail
    Mesmerizing and clever, but more style than substance.
    Joe Neumaier Comment The Man From UncleName : Joe Neumaier / Alias : New York Daily News
    It's slow, lethargic, utterly lacking in charm and undeserving of the Cold War setting that is its best trait.
    Dave Calhoun Comment The Man From UncleName : Dave Calhoun / Alias : Time Out
    U.N.C.L.E. has enough style and smarts to make it an amusingly louche summer movie: a cultivated mix of action and wit, suits and cities.
    Mark Olsen Comment The Man From UncleName : Mark Olsen / Alias : Los Angeles Times
    It all winds up feeling hollow and even slightly oppressive, an enforced sense of fun jabbed within quotation marks. It aims for a silky lightness of touch but lands like a dropped slab of concrete.
    James Berardinelli Comment The Man From UncleName : James Berardinelli / Alias : ReelViews
    This is one of those rare instances when a sequel wouldn't just be warranted - it would be welcomed.
    Richard Roeper Comment The Man From UncleName : Richard Roeper / Alias : Chicago Sun-Times
    The Man from U.N.C.L.E. plays like a lower key, vintage edition of a Mission: Impossible movie. It's a good movie with a great look.
    Kyle Smith Comment The Man From UncleName : Kyle Smith / Alias : New York Post
    Cavill's Solo, and the movie, are aggressively quippy, which is what happens when screenwriters set out to be funny but give up when they're halfway there.
    Alonso Duralde Comment The Man From UncleName : Alonso Duralde / Alias : TheWrap
    With brisk pacing, and a cast this attractive parading the kinds of fashions that will remind you how much you miss Mad Men, most of the movie boasts a Mod crispness.
    Soren Anderson Comment The Man From UncleName : Soren Anderson / Alias : Seattle Times
    The picture is quite clever and light on its feet.
    Michael Granberry Comment The Man From UncleName : Michael Granberry / Alias : Dallas Morning News
    It's got all the ingredients - improbable romances, partial nudity, ridiculous escapes - that make it little more than big-sound and big-picture fodder for the Imax screens it will appear on throughout the country.
    Todd McCarthy Comment The Man From UncleName : Todd McCarthy / Alias : Hollywood Reporter
    It's not bad but not quite good enough either.
    Ty Burr Comment The Man From UncleName : Ty Burr / Alias : Boston Globe
    "Man" is a celebration of a time when secret agents dressed impeccably, bantered with style, and had exceptionally cool toys. That the movie is almost instantly forgettable is part of the pleasure.
    Bill Goodykoontz Comment The Man From UncleName : Bill Goodykoontz / Alias : Arizona Republic
    It almost works. Actually, it does work, hitting the requisite number of hip notes. It just doesn't dazzle, and that's kind of a surprise.
    Manohla Dargis Comment The Man From UncleName : Manohla Dargis / Alias : New York Times
    Guy Ritchie makes the kind of enjoyably disreputable movies that are fun to watch until they're not.
    Calvin Wilson Comment The Man From UncleName : Calvin Wilson / Alias : St. Louis Post-Dispatch
    This is a movie whose charm sneaks up on you, like a spy in the night.
    Steven Rea Comment The Man From UncleName : Steven Rea / Alias : Philadelphia Inquirer
    A lot of energy and effort has gone into this endeavor, and I can't say some of it's not fun. But more of it, alas, is just tedious.
    Stephanie Zacharek Comment The Man From UncleName : Stephanie Zacharek / Alias : Village Voice
    Though it's made with lots of modern tricks and technology, it's old-fashioned in the best sense, and not just because it's set in the Sixties.
    Mick LaSalle Comment The Man From UncleName : Mick LaSalle / Alias : San Francisco Chronicle
    Ritchie is a director with no instinct for the audience, and he can't hold things together for an entire film. He seems at a loss, from moment to moment, as to what he should emphasize.
    Adam Graham Comment The Man From UncleName : Adam Graham / Alias : Detroit News
    While it looks good - Ritchie has always been a slick visual stylist - it's ultimately as passive as an old rerun.
    Peter Debruge Comment The Man From UncleName : Peter Debruge / Alias : Variety
    An unusually restrained Guy Ritchie serves up solid entertainment with a classy touch, but bland leads and no-sizzle chemistry make this slick '60s TV adaptation forgettable.
    Peter Howell Comment The Man From UncleName : Peter Howell / Alias : Toronto Star
    This is like an Austin Powers movie directed by Wes Anderson, although Ritchie's personal style is very much in evidence.
    Wesley Morris Comment The Man From UncleName : Wesley Morris / Alias : Grantland
    Exactly no one was asking for this. So it's a surprise to discover that the bar for this movie is low enough to conga under.
    Chris Nashawaty Comment The Man From UncleName : Chris Nashawaty / Alias : Entertainment Weekly
    Long on style but short on substance, Guy Ritchie's ring-a-ding-ding Cold War spy thriller attempts to resurrect a mothballed '60s TV series the way that Mission: Impossible did. It doesn't work this time.
    Brian Truitt Comment The Man From UncleName : Brian Truitt / Alias : USA Today
    The Cold War returns full force on the big screen, though by the end of The Man from U.N.C.L.E., you might want to put it back in the fridge.
    J. R. Jones Comment The Man From UncleName : J. R. Jones / Alias : Chicago Reader
    Whose idea was it to make a cold war thriller for a generation that doesn't know what the cold war was?


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